Spring Morning

I'm happy with the way the values turned out in this painting. Values are the relationship between light and dark areas in the field of vision. It's the hardest thing to get right in visual arts, but when you do it helps the painting to appear more 3D and "alive". Other details like palette and brushwork take a backseat to the values. Once in a while, I get it right.

This painting is really an exercise in "colour on grey". Greys are an effective way to offset and emphasize bright colours. The red and green I was using happen to make an effective grey when combined.

I achieved success in this painting by keeping it simple, but next I need to aim for something that adds more interest for the viewer, yet retains the loose, interpretive style that I'm aiming for.

The Ledge

When using blue and orange, the painting pretty much paints itself. Those two complementary colours are an artist's best friend. This picture was inspired by a view of the Alberta Legislature as I was driving past: the sun was obscured by a cloud but it created a gold halo. I almost wrecked the painting with a sloppy application of yellow, but the sandpaper saved the day!

Walk in the Park

Although it's a little overexposed, I'm fairly pleased with how this picture turned out. It had just rained and there was a brilliant setting sun when I was out for a walk. If I had to do this painting again, I would have probably been a little more sparing with the washes, especially on the trail and the beach.

Flowers in Study

This is a still life that isn't really exciting, but I'm trying to loosen up my painting style anyways. The amount of white in the painting was a little hard to take at first, but I'm used to it now because it keeps the painting looking "light" and prevents it from looking overworked.

Grey is often important for paintings, sometimes to form a cool background to allow the colours to take centre stage.

Tree on the Prairie

This painting was a lot of fun! It is meant to evoke the starkness and the vastness of the prairie winter landscape. The tree is there for perspective, and I'm pleased with the results. It's hard to paint something simple that still works, but that's what I was trying to achieve here.